And now, as they say in Monty Python, for something completely different (from my usual twaddle).

I was thinking recently about the music that floored me and changed me and my perception of music. It's happened to me several times. In order...

The Ventures — Prior to their classic instrumental Walk Don't Run, like most kids I was primarily interested in pop vocals. They got me interested in the electric guitar. I've enjoyed electric guitar music ever since. However, while I've owned a few electric guitars over the years, I've never...well, let's just say I'm no Jimi Hendrix.

Lonnie Mack — His big hit Memphis introduced me to funky guitar. His down home mix of gospel, country, R&B, and rock music as displayed on the classic album The Wham of that Memphis Man inspired Stevie Ray Vaughan. 

Howard Roberts — In rough parallel with my interest in Lonnie Mack, I discovered that there were funky jazz guitarists, too. HR's slinky style of "greasy" guitar is still a pleasure (for me) to listen to.

The Paul Butterfield Blues Band — Powered by Butterfield's electrifying (and electrified) "blues harp" (aka harmonica) and Michael Bloomfield's unique electric slide guitar stylings, this was my introduction to electric urban blues Chicago-style. And that led me to many other electric blues discoveries such as the phenomena of British blues and Texas-style blues a la Johnny Winter.

Jimi Hendrix — What can I say. The whole world of rock music changed when his Are You Experienced? album was released with the great hits Foxy Lady and Purple Haze. There are many faster and better guitarists in terms of technique (Steve Vai, Buckethead, Tony McAlpine), but he was, many say, the first musician to play electric guitar vs. merely electrified guitar. If he'd done nothing other than All Along The Watchtower he'd be in guitar pantheon forever, but he gave us so much more.

Baden Powell — No, not his namesake, the founder of The Boy Scouts. This Baden Powell was a Brazilian guitarist/singer/composer who created a unique blend of classical, flamenco, and jazz guitar infused with native Brazilian rhythms, backup instruments, and melodies. I was once asked for my "desert island 10"... Ten albums I'd want to have to play if I found myself stranded on a desert island (a very strange desert island with an electrical system). I even surprised myself by saying "Any 10 Baden Powell albums." Yes, his music is that listenable. If his was the only music I had for the rest of my life, I'd never grow bored.

There's my list. Where's yours?

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Yes. 4/4. LOL!

I have to say these "van sessions" are killing me tonight. Fun stuff.

Hell yeah Gallup! I'd add: (Swear it was suppose to be in a porno) and:

 How old am I? Old enough to know that barney miller theme is dope.

 and this one had some power too:

It's pretty funky. Like (as George Clinton would say) "smell my pinky" funky.

 Just to be clear I have no idea why he says that.  ;)

The 70's where great for funk themes. The guys that wrote Barney Miller also did that funky baseline for Night Court.

In addition to what you mentioned, Sanford and Son, Shaft, Starskey and Hutch, Baretta, even with Sammy Davis Jr. lounge acting the vocals ruining it for me.

Then the 80's came and we were stuck with what Miami Vice and Knight Rider -type crap. Guys hire a friggin rhythm section will you?

The Reverend Horton Heat. My taste in music were forever changed by this Dallas, TX band.

I recently remembered another early blues influence in my life. The Blues Project. In truth, they were a fusion band of sorts, mixing blues, rock, folk, and pop into a unique blend. At the time, Danny Kalb was impressive as by far the fastest guitar player I'd ever seen. I was able to see the band live several times in a local nightclub (now defunct) named La Cave. My brother and I would get there early to get as close to the stage as possible, but it was a small club and no seat was all that terribly far away from the stage. 


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